ABOUT

Photography, for me, is a way of noticing, the quiet details, the fleeting gestures, the tension between movement and stillness.

 

Whether I'm walking the alleys of Melbourne, tracing the rhythm of a foreign city, or standing before a vast and silent landscape, I’m drawn to the subtle moments that often go unseen. My work spans street photography, black and white landscapes, and urban architecture, unified by a cinematic approach to light, shadow, and composition.

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In the streets, I search for human stories written in passing glances, body language, and contrast, transforming everyday scenes into frames of narrative and emotion. In the natural world, I often strip away color to emphasize tone, form, and texture, creating space for contemplation and connection. Across genres, I strive to find balance between spontaneity and structure, letting the environment lead while guiding the frame with intention.

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I find inspiration in classic street photographers like Henri Cartier-Bresson and Garry Winogrand, as well as the tonal mastery of landscape artists like Ansel Adams and Peter Lik.

 

My photographic awakening began with a sunset in Greece, a moment that showed me how light can shape emotion. Since then, I’ve explored film and digital formats alike, always chasing that intersection of technical control and emotional truth.

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My aim is simple: to create images that feel still, yet alive. Photographs that don’t shout, but linger. Scenes that hold space for memory, imagination, and the viewer’s own story.